Jaykits Vol. 15

It’s the time of the year that my annual ambient mix (The ‘Jaykits’ Series) gets put together. I’ve no idea why I do this in August/September when the end of year would make more sense. Maybe next year I’ll rectify this.

As always, I’ve loved putting this together. A majority of this was formed of the lockdown walks, often in the evening sun. The field recordings were either recorded in my garden or out in the woodlands of Perth (as was the cover photo). The early days of lockdown meant the bird song was just that bit more prominent and easy to capture. Reverb has been added to the field recordings and used throughout the mix.

In terms of the music, selecting the tunes was easy. The first track chosen was the The Slow Descent Has Begun by A Winged Victory for the Sullen from The Undivided Five. The album came out at the start of November 2019 by which time Jaykits Vol. 14 was done. After that the tunes on the mix are presented in some sort of chronological order. Motionfield, Jonas Munk and Federico Mosconi were early year favourites. The rest has been released since the world changed. That is except for the Virginia Astley track. The title track From Gardens Where We Feel Secure is included. I will forever associate that time with her album. A classic from the early 80s that I was lucky enough to discover this year. The mix finishes with Bella Ciao (Version Lenta) from Money Heist. We discovered that show during lockdown. It will long live in the memory.

I very much hope you enjoy.

Jaykits Vol. 15 – 1hr 11mins

Intro – Blackbird field recordings May/June 2020

1. CoastsLoscil

2. Always There Part 9Motionfield

3. Eastern HorizonsJonas Munk

4. Il Tempo Della Nostra EstateFederico Mosconi

5. From Gardens Where We Feel Secure – Virginia Astley

6. All Human Beings Part 3 – Max Richter

7. Blacklight TrailTineidae

8. Fleeting PremonitionASC & Sam KDC

9. Abyss Forms (i) Eluvium

10. The Slow Descent Has Begun – A Winged Victory for the Sullen

11. Visit Me Mogwai

12. Mad Rush Bruce Brubaker & Max Cooper c/w Blackbird field recordings

13. For Now I Am Winter (Nils Frahm Rework) Ólafur Arnalds

14. No Sleep No Dream’- Gia Margaret

15. Bella Ciao (Versión Lenta de la Música Original de la Serie la Casa de Papel / Money Heist) – Manu Pila

2020 April-July: Hello Old Friends

As lockdown continued, time spent listening to music on the daily walk became even more important. I discovered some old albums (Virginia Astley – ‘From Gardens Where We Feel Secure’), uncovered some new (ExoTineidae,  more to follow…) but most of all listened to new releases from some familiar names. Three albums in particular will remind me of this period:

GlassformsBruce Brubaker & Max Cooper 

VoicesMax Richter

All Things Being EqualSonic Boom

I’ve talked about the monumental Glassforms before so I won’t bore again. It’s all here →  Bruce Brubaker & Max Cooper – ‘Glassforms’

Voices by Max Richter (of ‘Sleep‘ fame amongst many others), had been much hyped if you follow his work. The album is themed around the 1948 Universal Declaration of Human Rights. Beautiful passages of music emerge out of short readings from the declaration. All Human Beings (the lead single) is peppered throughout, sometimes ushered in by an ‘Everyone has the right….’ spoken word extract. It’s Max Richter, so it’s layered with strings and piano, just the way i like it.

There’s a download with the vinyl where you not only get the original but also a ‘voiceless’ version. That version has been soundtracking my sleep for a few weeks now. It’s gorgeous, can’t recommend it enough.

Around my birthday Sonic Boom (aka Pete Kember Spectrum/EAR and former Spacemen 3 founder) released All Things Being Equal. The first proper Spectrum/solo album since Forever Alien back in 1997. I’d continued to buy his work through the Experimental Audio Research (EAR) phase. Some work was blissful ie. Mesmerised and even Phenomona 256. It all went a bit dark from The Koner Experiment through Millennium Music, Data Rape and Live at the Dream Palace. He was making music with oscillators and, if i remember right, Speak & Spell machines. By the time he released Pestrepeller (my last EAR purchase) I was pretty much done collecting his music as the albums were becoming an increasingly challenging listen (Try Continuum, the album after Pestrepeller, it’s darker than the ocean floor). I saw him in East Kilbride of all places doing a gig with the oscillator front and centre. You had to be a diehard.

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He’d drifted a bit from memory over the intervening years until this release. He did release the War Sucks EP many years back which still displayed the early Sonic Boom/Spectrum sound, the sound I loved. So, All Things Being Equal was a bit out of the blue. It has all the hallmarks of a Sonic Boom album. It reminded me a lot of the Soul Kiss (Glide Devine) and High, Lows & Heavenly Blows era, as well as Recurring, the final Spacemen 3 album. He’s touring in March 2021, playing Stereo in Glasgow. Hopefully, gigs will be a thing again by then. I never realised Sonics music was missing from my life until I heard this album. Welcome back, I hope there’s plenty more to come.

Lockdown has eased, perhaps prematurely, but i’ll still be out with the headphones, far from the crowds gathering tunes for Jaykits Vol. 15. It’s shaping up nicely.