Ian Hawgood teamed up with Giulio Aldinucci to create the phenomenal Consequence Shadows, released at the start of 2018. This followed quickly on the back of Faintly Recollected but is sonically very different from its’ predecessor.
Even before donning the headphones to listen to this, the tone of the album is set. Firstly, the title suggests this is an outcome, perhaps borne of a dark event. If something has a consequence then there is generally a connotation associated with it. Secondly, the black and white long exposure shot that forms the album cover evokes memories of solitude and decay and perhaps something that is not easily attainable, all set against a fairly unwelcoming horizon.
On first listen, as with a lot of ambient work, the album appears relatively straightforward in approach. However, the more listens, the more different layers reveal themselves. Those layers fit perfectly with each other creating, in my view, an almost faultless album. The stalwarts of ambient music are present: fields recordings, stretched/echoed guitar work, keys and drones. No single component is ever overused, each one placed exactly where it should be.
Many albums in this genre can be considered ‘samey’, hammering home the drone and not shifting style from one track to the next. However, this is an album that begins in relative darkness and moves towards the light. Album opener, Embarking Shadows, starts in an unassuming manner, but then an ethereal, almost choir like overlay brings this track to life and sets the scene for the remainder of the album.
Only Microns is a stuttering, Aphex Twin like, ambient piece that is underpinned by a haunting set of keys. This is darkness and light existing together. The Wasted Consequence brings it back to down a notch, if that was possible, still preserving the keys which made the previous track such a moment of beauty.
Album closer, Other Ashes, in total is approaching an astonishing 40 minutes. It is a hope filled behemoth created in collaboration with Belgian artist Stijn Hüwels who undertook the remix work. Although one piece is the original and one is the remix, they are 2 very different tracks. The original changes course around the 7-minute mark when a light synth envelops the track along with some well considered field recording work. After 10 minutes it returns back to the darker drone that began the piece. Again, dark and light in a single track, albeit it a long one. The Stijn Hüwels remix remains true to the original but has less peaks and returns. A nice end to the album as it drifts out.
The album may only be 5 tracks long including a remix but it is a beautifully considered body of work. Highly recommended.