It’s the end of the year and decent music releases have tailed off. The Christmas albums flood the retailers. Buble and Slade are everywhere. One thing I can always rely on is the November release of Kompakts’ Pop Ambient series. The 2019 edition is textbook. Another compilation of such a high standard, a standard that has been the trademark of the Pop Ambient series over the 18 years it has been in existence.
I read some pre-release marketing that describes this instalment as a departure for the series. A ‘change of pace’, more experimental/avant-garde. To me it’s not. It feels the same as, at least, the last 4 releases, certainly to my untrained ear. I’m very happy about that as I love the Pop Ambient series and its subtly evolving ways. If you’re not familiar with the brand, focus on the Ambient part of the series name. Many of the genres big guns have been part of Wolfgang Voigt‘s Pop Ambient over the years. Some are present on this release, eg. Leandro Fresco to pick out just one.
This years collection has a very strong beginning. From the sprawling Alles Wird Gut opening by stalwart Thore Pfeiffer through the filmscore-esque strings of Coupler‘s A Plain Of Reeds to my personal highlight, the heavily filtered angsty vocals of The Uncertainty Principle by Black Frame, it is clear that this is another special release from Kompakt. Kenneth James Gibson delivers another swirling drone adding tension as the track develops. Morgen Wurde provides Schien Immer, a track that could accompany any space programme, it’s big and it’s beautiful. The album then enters a particularly dark phase. A sweep that includes Gregor Schwellenbach, Last Train To Brooklyn and Max Wurden. It’s easy to get lost in this section. It provides a certain structure to the mix (it’s about this point I realise it’s mixed rather than merely sequenced). Special mention to Last Train To Brooklyn as its twinkling and reverb lift the middle section gloom (slightly). Thomas Fehlmann delivers a fairly structured piece. A soporific rhythm leads into a trademark Leandro Fresco ambient wash (I’m writing this whilst watching the most amazing sunrise-perfect). Yui Onodera provides Cromo 3. Strings at their best. Only 3 minutes long but an attention grabber. Aden by Triola is the weakest piece on the album. It is better suited to a Cafe Del Mar album rather than Pop Ambient. To close, Max Wurden gets a second outing with the wonderful Core, a glorious ending.
All hail Pop Ambient, 18 years old and still as good as ever.