In a break from norm, I’ve been replaying my old house music mixes on my work commutes….
‘Epic House’, is the ‘self-indulgent’, ‘overblown’ genre that had the dance music press up in arms back in the mid 90s. It is true, that this genre was the dance music equivalent of prog-rock. Long winding intros, a smattering of beats then breaking down into an apparent infinite time. I can remember looking around dance floors during a synth break, laying eyes on a sea of faces wondering if the sound system had packed in, or was it the faintest hum of a rumbling baseline or drumroll (remember them?) that would sometime, very much later work, its way into earshot. These tunes often didn’t breakdown once, but multiple times. Purveyors of long tunes Blue Amazon, created a suite of epics such as ‘No Other Love’ & ‘And Then The Rain Falls’ which almost spent as much time in the breakdown as they did in its 4/4 state. Mixing became a little lazy, as DJs started putting intros and outros together, meaning less thought went into the mix, but also yet more time was spent in the breakdown. More vacant stares.
It may sound as if I’m a critic of the genre, on the contrary. For me this was a happy time in dance music, excluding the early renaissance parties at the Que Club and Bakers, this was probably my happiest. I still smile thinking of Sasha’s 12 Nights Of Summer in Leeds and the set Sasha & Digweed played at the Phoenix Festival in 1997. Whilst my friends were out watching David Bowie, I consumed the full 5.5 hours of that event, curiously finished with the Prodigy’s ‘Smack My Bitch Up’. The Renaissance stately home bash at Allerton Hall was another ‘epic’ evening. Nigel Dawson et al. playing beautiful sweeping house only to be interrupted by Paul Oakenfold peddling the same stuff he’s still playing today (he is as I’ve listened to his Live at Stonehenge Mix). Finally, BT produced the monumental ‘Ima’ which included, for me, one of the greatest records ever made – ‘Divinity’. If ever there was a journey in a record, that was it. Ima also included ‘Loving You More’ (Sasha played 2 mixes of this, at over 20 mins, regularly during 1995). Good times!
I fully understand the rose tinted spectacle angle on this but what can you do? The mix I put together all those years ago, still put a smile on my face when I heard it the other week. Here it is. I hope you like.